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The Impact of Tom Brady’s Retirement Is Still Unfolding
Brady claims he is done for good, but it is unclear what that will mean for the Tampa Bay Buccaneers,…
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The Juicy Secret to Stellar Baby Back Ribs
You don’t need a smoker or a grill to make sticky, tender ribs at home — just an oven and…
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Celebrating the Roaring 2020s With a Bee’s Knees Cocktail
The Prohibition Era favorite is back on bar menus, with creative ingredients but the same inherent charm.
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House Ousts Ilhan Omar From Foreign Affairs Panel as G.O.P. Exacts Revenge
In a highly politicized vote, the Republican-led chamber criticized Ms. Omar’s statements about Israel, exacting retribution for the removal of…
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‘Godland’ Review: Another of God’s Lonely Men Goes Amok (Spiritually)
In this striking drama set in the late 19th century, a Danish priest travels to Iceland and is gradually undone…
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‘Una Vita Difficile’ Review: Life Comes at You Fast
Alberto Sordi stars as an idealistic Italian Everyman caught up in a changing postwar world in this rediscovered comedy from…
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Felix Gonzalez-Torres, a Master of Mutability
An ultra-polished survey of the artist’s works at David Zwirner — some not seen before — demonstrate how preservation and…
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Philomena Cunk Is Weird Enough to Take on the World
The new Netflix show “Cunk on Earth” looks like an ambitious BBC documentary. Until its fictional host, created by Charlie…
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Facing Death, a Pianist Recorded Music of Unspeakable Emotions
Lars Vogt, for one of his final albums made before dying from cancer, turned to chamber music by Schubert with…
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Review: Dancing for Themselves in an Underworld of Shadows
Cullberg, a contemporary Swedish company, makes its Joyce Theater debut with Deborah Hay’s delicate, hypnotic “Horse, the Solos.”